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Wednesday, May 21, 2008

ComingSoon Moseley Interview

William Moseley is Peter Pevensie
Source: Edward Douglas
October 19, 2007


One of the returning characters in The Chronicles of Narnia: Prince Caspian is Peter, the eldest of the Pevensie kids, as played by William Moseley, and in the second installment, we see him mature and start to grow into the king that we briefly saw at the end of The Lion, The Witch, and The Wardrobe. On our first day at the Usti location where they're shooting most of the battle scenes, ComingSoon.net and a group of journalists were pulled aside to talk to the young actor, who had been learning a lot of new skills for the sequel.

ComingSoon.net: We heard you did some horse stunts.
William Mosely: Yeah, we did some horse stunts. What did I do recently? Well, I did the biggest horse stunt I've ever done, which was I had to… actually, it sounds pretty crazy, but I basically had to chase a running horse, I had to grab onto the saddle, I had to kick a guy while the horse was running and I had to jump onto the back of the horse, and carry on going...all in a courtyard at four in the morning, it was raining.

CS: Did you do that yourself?
Moseley: Yeah, I did that myself. It was easy. (laughs) It's funny when you do stunts like that, because you know you can do it, and if you're not quite getting it, then...I don't know, you want to do it again and again and again, but you don't really realize how dangerous it is at the time, until you look back and go, "Oh, at take 7, I probably should have taken a break."

CS: How many takes did you do?
Moseley: Seven. That's all I was allowed. I wanted to do eight, but seven was all I was allowed. Two were perfect, five I was kind of like, holding on for dear life a couple of times.

CS: Were there any wires involved?
Moseley: No wires involved, no. It was good, though. It was really fun. They must have a lot of faith in me.

CS: Are you ready for the big fight with King Miraz?
Moseley: The fight? You know, last week I was really worried about it, because I hadn't really have much chance to train for it. Like I said, they had to have quite a lot of faith in me with these stunts, so they think, "Oh, he doesn't really need the training," but it's an over-one-hundred beat fight, so I'm sort of thinking, "I think I might need a bit more training than this," and they're like "No, you'll be fine, you'll be fine, you'll be fine." We were meant to shoot it last Wednesday, and it's Monday today, so I was really lucky that weather hasn't been so good. Someone must be smiling down from up there to give me a few more days practice.

CS: Do you actually practice with Sergio, the actor that plays Miraz?
Moseley: Yep, I fight against him, but mostly, what's really cool is the stunt coordinator's going to be doubling Miraz. The stunt coordinator and I have a really good connection and a good understanding, like he's taught me all of everything I know, so it's going to be a good one-on-one.

CS: Did he do that on the first movie as well?
Moseley: Same from the first one, yep. I've been really lucky to fight him.

CS: What is the biggest difference in this movie from the last one then? The horse thing, obviously, but what are some of the biggest things you've had to learn for this movie?
Moseley: Yeah, I think the sheer size of the thing has been...and I did this last time. The size of it blew me away, but again, it's gone a level up, I think, in every single department, every level, we've had to take it up a notch, and that goes through costumes, through to the stunts. I think my fight last time was about 40 beats with the White Witch, and this is going to be over a hundred, so it'll probably be three times the length. And acting-wise, it's been a lot tougher. I've had a lot more emotional moments. My character's had a lot...it's not much different from myself. He has the arrogance that I have, and he has the kind of anger. It's good that it's going to test me, and everyone's had to sweat blood and tears to get this film made, but it's only films that are good are the ones where you have to sweat blood and tears to really force them out.

CS: How have you been getting along with Ben Barnes, who plays Prince Caspian?
Moseley: Yeah, we get along really well. It's funny, he's a good guy. It's interesting, though. I remember the first time I came to set and I saw Ben and we would go to rehearse and I saw him playing with Georgie, who plays Lucy, the same way I play with Georgie. It was really weird for a second, I was like "What the hell?" It was kind of like deja vu, you know?

CS: Is Ben younger than you?
Moseley: He's older, he's about 25. He's pretty old. (laughter)

CS: How is their relationship different in the movie than it is in the book? In the book, it seems like they get along, but in the movie it sounds like they have a rivalry.
Moseley: I think it's interesting that they played on that rivalry, because...I don't know, I think that's really the way it would be in real life. Peter's got his own issues to deal with, and Caspian's got his own issues to deal with, and when neither is willing to compromise there's bound to be friction. That's really what happens. And it's a lot about humility. I think they both have to learn a certain humility, a certain... and that's really what a great King needs is to be humble, to listen to his people, to be willing to compromise, and they start off as these sort of angry teenagers, and become kings at the end, and Peter passes on his sword and, I don't know, Narnian strength on to Caspian. But it is interesting, I agree, I think it's a really good thing that they've done that.

CS: Since Peter isn't in the next book, this must be your last movie, so do you still have a lot to shoot?
Moseley: You know, I really don't know. Right now, we're looking at gray skies and we were meant to have blue skies, so pretty much from what I can tell, it doesn't seem too positive, but we're doing really well actually. We're getting through a lot of stuff. On Friday, we got through the entire scene in the day - it went really well, and it did seem pretty good. What I do think has been helping everybody, because like I said, I think the pressure has been on. I think the pressure has been on to make this really amazing vision of Andrew's [Adamson], so they're sort of putting music on set, and I think that really helps everybody. I think that really gets everybody going. Skandar [Keynes] and I get to choose what kind of music we have, so he has his iPod and I have mine and we sometimes have a bit of a rivalry.

CS: You're not talking soundtrack type music, though.
Moseley: Yeah, our own music. Like, there was some Bob Dylan playing on Friday, and Skandar was playing some Jimi Hendrix, and I think I was playing some Jackson Brown, and the lighting guy, because the speaker was right there, the lighting guy came and turned it right at Andrew, just turned it when I had Jackson Brown on, and Andrew just turned "Thriller" just to get his own back.

CS: And what are you filming to go along with your musical choices?
Moseley: I don't know. It depends really, like, for instance, the fight with Miraz, we might have "Rocky" playing, something like that. (laughter) It's that kind of thing, or it's like, a nice relaxing scene, like Lucy is walking or something, you might have, I don't know, Mozart. I don't know what they'd be playing, but it keeps a light atmosphere on set and reminds us that we're here to have fun. We're not here just to slave our guts out all the time.

CS: Did you feel more prepared for the second movie than you did for the first one?
Moseley: I really did. I think the first one was really a big shock to the system, but now I feel very much in myself and sort of confident and I think everybody's really taken on their roles. Like I said, we were starting from nowhere last time, and this time we're starting from already a level from which we can work on from, if that makes sense. That's been helpful.

CS: How long have you been out here? You started shooting here in February or March? Have you been here the whole time, or do you go back home?
Moseley: Every now and again, I do. I mean, it's nice to go back home. My dad was here on Friday, which was... Thursday, Friday, Saturday, and yesterday he had to go back home, but it's hard, you know, because you're really tired by the weekend, you know, you've really been giving everything you've got, every bit of energy you've been putting into the film, and so, by the weekend, you want to just lie in bed and just maybe go to the gym, watch a film or something. But I try to speak to my family a lot.

CS: Can you relate more to the character by going back to real life, and then coming back to the world of Narnia?
Moseley: Yep, completely. I mean, I have to go back to school myself after all of this, and I was a year older than everybody else, so I was kind of like that kid that got kicked behind, who was a bit thick, who did an extra year at school. I felt a bit like that, and I had to go back and I had to be with people my age and not be with people on a film set and be chauffeured around, driven everywhere, and so there's obviously a lot of things I can relate to. Also, I think, being away from home makes a big difference. You know, when you live away...I lived away from home for a while, and I think, you try to do things for yourself, like Peter tries a lot of things for himself. He doesn't really... he's not willing to listen to people, but then you realize your mother or your father can have a really, your family can have a really important input on your personal life. All of it relates.

CS: Can you talk about some of the preparation Andrew had you do for this one?
Moseley: Actually, Andrew sat down with me before the film started, and said to me, "This film is going to be a lot more of an acting role for you," and I realized that from reading the script, and I said, "Well, I want to go to New York, and I want to work with a coach out there," and they were really willing to support that, so they helped me find a great coach out there -- Sheila Gray, I'm sure you've probably heard of her, she's really good. I worked with her for three-and-a-half months. And it was kind of like an intensive, it was very, very high intensity. I was working all the time, but by the time I got to New Zealand after working, doing all the time doing read-through and screen test - they were screen testing some other Caspians - I felt really confident and really good. They all saw the difference, and they saw how much it's changed me and I'm so glad I did it now.

CS: Did any of the other cast members do the same thing?
Moseley: Well, they've all been in school. That's the thing. I think Anna's been keeping up with her coaching, but I'm lucky I don't have school anymore. I didn't opt to go to university, so I'm really lucky that I had the opportunity.

CS: How do you like filming here in the Czech Republic?
Moseley: You know, I really like it. I think I'm starting to warm to the Czech people a little more, or they're starting to warm to me, and I really like Prague, like I was saying, and I don't know, I think it's the right place to shoot. We've been to these amazing locations, these amazing rocks, these amazing formations, the battle turf looks great, and you know, there was a lot of talk about where they were going to shoot, and I think the Czech Republic was a good choice.

CS: Do you have a favorite set or location?
Moseley: That's a good question. I really like the stone table, I don't know if you've seen that yet.

CS: It's gone already. We saw where it used to be.
Moseley: So cool. This huge, huge room, stone carved out. The stone table was my favorite.

CS: If you knew what the writing means around the top of the cavern, would you tell us?
Moseley: No. (laughter) It probably means, "Please give us sun. Please, please, please, give us sun." (laughter)

CS: What's next for you after you finished the movie? Will you be doing the rounds in L.A. soon?
Moseley: Well, L.A. seems a bit scary to be honest, I think it's really scary. I'd probably only go to L.A. for a month or two, and just work out there for a bit. But I could not emigrate to L.A. right now, I mean, I'd quite like to be in England for a bit, because I spent time in New York, and I'd quite like to be in London, because I don't actually live in London. I live in the countryside, so London would be cool. But I managed to finish school in between the two films, get on top of my acting, which was an important thing, and now it's just looking forward to what's going to come, I don't know.

CS: Maybe theater?
Moseley: Yeah, I would love to do theater. I would really love theater. I would love to do Shakespeare, that would be amazing. You know, it's whatever really comes my way. I think you really have to look at the acting world in a fatalistic way, because some things are meant to happen, some things aren't meant to happen, and you can audition a hundred times and not get anything, and then one thing can pop up and that's the perfect thing, so I'm interested in anything right now.

CS: What was it like reuniting with the other members of the cast?
Moseley: It's really nice, actually. It's funny, we just slip into our dynamics. We just all have our little place. We all just slot in there, and it's really nice. I think we've all got a bit older now, so we can all have more of an adult relationship. We can talk to each other much more, like Skandar hates me saying this, but I can talk to him about girls and stuff like that, and I can talk to Georgie. Georgie and I can actually talk about clothes (laughter) and music, we talk a lot about music. Anna and I, we have a really good relationship as well. We each talk about our families, and our personal lives. All of them, like I said, it's like we've taken the next step up now. We're a really tight unit, pretty formidable four.

CS: Do you see them in between shooting? You must live all over England?
Moseley: Yeah, I mean, because we did publicity and every time we had a big DVD release or something like that. We all went to Japan together, so we did get to spend some time together. It's difficult to get all four of us together. It's easier if I just go to one or the other person's house, or see them in London or something.

CS: Do you find you are paralleling your character? Do you feel like the leader of the group?
Moseley: Yeah, I mean, I think I definitely do. I mean, I said this before, that I'm the oldest in my family, so I'm really the leader as the oldest in my family, then Anna is the oldest in hers, so she's kind of the leader. Then Skandar is the youngest, so he kind of has that position and Georgie is the youngest as well, and so we all just slot in to our dynamics and it forms at tight unit. But the parallels to our characters, I mean, I really essentially think we're all just playing ourselves. (laughter) I really do. It's amazing how similar we are and how much we just draw on our own lives to feel the character. I know I do, and I know Georgie does, and Anna and Skandar are really good, they just sort of, just sort of get in the moment, kind of lost there, but it's been a good experience so far. I'll have to tell you at the end of it, we're only halfway through. (laughter)

http://www.comingsoon.net/news/interviewsnews.php?id=38420#ViewComments

Rotten Tomatoes Moseley Interview

WILLIAM MOSELEY

The first film was a children's Narnia. This film is going
to be an adult Narnia, and I say that with every implic-
ation, as in we're fighting adults this time, we're not
fighting mythical creatures anymore. Even Tilda
Swinton
as an actress is definitely a mythical creature!
We've got a whole army of humans to fight this time.
Narnia's changed. It's 1300 years later, it's not pastoral
anymore, or idyllic. It's dark and nasty and all the crea-
tures we once knew, who roamed the land freely, have
been pushed into the forest and the woods and forced to
live this closed lifestyle.

Peter has changed too. He used to be a very nice, considerate,
moral person. Very selfless. And this time he's quite selfish and
he's quite angry and frustrated and thinks he deserves more. The
film starts with this huge fight sequence where he's just angry and
he's lashing out because nobody respects him as a High King in
London - of course. He has to learn an important lesson of humility.

It's also Peter and Susan's last time in Narnia. To some deg-
ree we're passing Narnia on to Caspian. It's almost like
we're passing the torch and going back to
England
because we've learnt our lessons from Narnia. And it
does feel like I'm passing the torch on to Ben Barnes
too. It sounds weird and ridiculous, because I know
we're just actors in a film, but when you put so
much of your heart into something you really do
want to pass it over and to have someone accept
it with respect and I really think Ben Barnes will
pull up trumps. And if he doesn't then I think
Skandar will knock him into shape and get him
there!

This film is pretty epic, I've got to say. This one-
on-one fight I do with Miraz - I know I'm complete-
ly biased and don't take my judgements as
told, but I really think it's going to be one of
the best one-on-one fights anyone's ever
seen on screen. We had a camera on a 360-
degree dolly and they had three cameras
pitched in. I was with the head stunt guy
because he wanted to do it with me.
We're spinning around fighting, and
there are these three cameras filming
at 90 frames a second so it's in slow
motion spinning all around and it
looks so cool! This huge battle-
field in the background. It's
pretty epic.


The Chronicles of Narnia:
Prince Caspian
is released
in the
US on 16th May,
Australia on 5th June
and the
UK on
26th June.

http://www.rottentomatoes.com/m/chronicles_of_narnia_prince_caspian/news/1723642/2.php

Tuesday, May 20, 2008

Gloucestershire Movies

Gloucestershire Movies


William Moseley

Tales of Narnia

The Chronicles of Narnia is tipped to be one of the big blockbuster films this Christmas. But did you know that one of its stars lives right here in Gloucestershire?


18 year old William Moseley plays Peter in the big screen adaptation of the CS Lewis classic. BBC Gloucestershire's David Bailey was granted an exclusive interview with him - at his home in Sheepscombe near Stroud in Gloucestershire.

How did you get the role in a major feature film like the Chronicles of Narnia?

I think it was really a lucky mistake if anything. It's very, very fortunate that Cider With Rosie was filmed around here [in Gloucestershire] about eight years ago and the casting director for that auditioned me. I was very enthusiastic, very happy, and I think she saw something in me. Unfortunately I couldn't have the part in Cider With Rosie but she got me an agency and then five years later she came casting for The Lion, The Witch and the Wardrobe, and remembered me.

So you must have been quite young when you went for Cider With Rosie?

They came to me and put me through these auditions [for Cider With Rosie]. I came down to the final stages and unfortunately I couldn't have the role because of age differences. But almost as a compensatory present I got the agency, which was pretty amazing. I think that at ten years old and going through that audition process - that was when it clicked in my mind that I wanted to do acting. It was a conscious decision at age ten because I enjoyed it so much.

What's your background in acting? Did you go to stage school?

The Chronicles of Narnia

No, I just went to Sheepscombe Primary School! Drama was never really in the curriculum to be honest. I suppose when [the audition] came along, I was just very much myself. That was pretty cool.

Did they approach you for the role of Peter?

They did approach me. The thing was my agency didn't actually put me up for it, it was this casting director who remembered me. She asked me and I went through 18 months of auditioning for the part. I think they saw around 3,000 kids. It came down to a screen test and I finally got it. I was 15 when I started and 17 when I got the part so it was quite a long auditioning process!

Filming must have taken quite while ...

Filming was seven months in New Zealand, then there were two weeks in Prague and both were amazing places. What I got to see of Prague was really, really beautiful but New Zealand just stands out in my mind. The people were so welcoming and the cultural diversity - of the Maori and the white people living together - was fantastic. The scenery and just being outside, because for a lot of the shoot we were in studios but then finally when we got down to the South Island we were outside. We were amongst the mountains, amongst the hills. A fantastic, beautiful place.

What was the filming process like because you hear stories about actors waiting around for several hours just to shoot a few minutes of film ...

I wanted to carry on with my school work just because, as you probably know, an actor's career is not one of the most stable careers. It was definitely something I wanted to do but I really wanted to finish my school work as well. It was a very, very full day and because we were in quite a few of the shots throughout the day, they would keep going.

So what was a typical day like?

A typical day would range from getting up at about 6:30 or 7, getting to the set at 8 o'clock and finishing at about eight or nine in the evening. I was over the age of 16 so I could work these adult hours and I was working 12-14 hours every day.

There's a lot of computer graphics in the film, did you find yourself having to act in front of a blue screen? If so, was it difficult?

The Chronicles of Narnia

I don't really think it's that difficult. It became a basic expectation from the beginning that we were going to have to imagine these characters. When people read the story for themselves they have created their own individual lion, their own individual beaver and their own individual werewolf. I basically took my individual interpretation of what they should look like and threw them into the scene with me. The bizarre thing was that when I came out of the scene, what I was looking at lost its sense of being a beaver and became a tennis ball again. It was all down to the imagination, I think.

Had it been a favourite book of yours as a child or did you have to read it when you knew you had the part?

I used to listen to the story tapes every night before bed and it used to send my imagination crazy. I used to love The Lion, The Witch and the Wardrobe and I can still remember listening to them before I would fall asleep. I can remember the first ten minutes of the book perfectly but whether I knew the rest of it was slightly more dicey.

In a nutshell, for those who haven't read it, what is the Lion, the Witch and the Wardrobe about?

It's about four normal kids thrown into a magical land and having to deal with their problems and the problems of Narnia. It's a fantastic story and I really hope people enjoy it.

I know it's difficult because you're in it but is it a good film?

I think that's a really an interesting point. When I first saw it, I was seeing what I was like in it - whether I looked weird or what. I've been an extra in things before and you just try to watch that tiny bit of yourself. When I watched it there were so many scenes that I loved that I hadn't actually seen. There was one on the stone table with Lucy and Susan, and it's very sad. It shook me up. I think there's something for everyone in this film. There's a unicorn, a battle scene and one hell of a big witch - what more do you want!

So what's next for you? Will there be a sequel?

The Chronicles of Narnia

I can only hope there'll be a sequel made just because I had such an amazing time on this one. It was beyond every experience imaginable, it was basically a dream come true. For that dream to come true a second time would be quite amazing. Unfortunately I don't have the say.

And possibly not one more - maybe another six or seven in the Chronicles of Narnia series?

Unfortunately I'm not in most of them. I'm in Prince Caspian, which would be chronologically the next one. I'm also in the last battle, which would be the last one. I would probably be 35 when they get around to that one!

So you're in definitely line for the next one then?

If there is one then I hope I am, yeah.

You're holding something back aren't you? You know there's going to be another one, don't you ...

I hope there's another one. They just have to wait until this one's done. It's like we haven't got over this hill to get a better vision of what's ahead of us.

I suppose a lot will depend on what the audience thinks of it ...

Exactly. If this is a success then hopefully we will do another one. I don't like to say it is going to happen or I am going to be in it because I'm just not sure. I would like to be!

Beyond the Chronicles of Narnia, is this it for you now - are you going to be an actor for the rest of your life?

The Chronicles of Narnia

When I was aged ten, like I was saying before with the auditions for Cider With Rosie, that's when it really struck me how much I wanted to act. How much I wanted to be part of having fun with my career. I can only wish to take myself forward with this. I've had an amazing opportunity.

Any parts you've auditioned for in future films?

There have been little things every now and again but it's mainly getting through Narnia because there is so much going on. Once that's done we will be able to take a deep breath, look at some other things and see what's going on.

It is one of the big films of the year, especially as it's coming out before Christmas. Has it sunk in yet that you're in this film?

I don't think it can sink in. I don't think it really stuck me when I first got the part what it was like. I'm fortunate, I'm lucky that it hasn't hit me yet. The weird thing is when you see yourself, as you're driving by, on a poster or you see yourself on a washing up box or something - it's so bizarre. It's just momentary, it's only within those brief few seconds when you see it then you move on with your day. I have a very good family, very good friends and I'm lucky that everyone has been so supportive and kind to me.

What do they think about the whole thing?

The Chronicles of Narnia

I think they've been with me the whole way so it's as much an emotional trip and achievement for them as it is for me. They've almost been at a parallel with me the whole way, and I just very lucky that I have a strong family and great friends who've always stuck by my side. The best thing about having brothers and sisters is that they're brutally honest. My brother just got the Narnia game and first thing he does is kill me in it! Six times, over and over again! It's really grounding to be back at home. They're really pleased for me and it's going really well at the moment.

So it's all been worthwhile then?

I'm enjoying it and that's the best way to look at these things. If you don't enjoy it then it's not worth doing. It is hard work at the end of the day, they're working you for every mile you fly so it's worth enjoying, it's worth relishing every moment you get.

http://www.bbc.co.uk/gloucestershire/content/articles/2005/12/02/williams_moseley_feature.shtml

Photos



























William as one of the hottest hunks under 25.
http://www.vh1.com/photos/gallery/?fid=1588662&pid=2996914






































These photos are from www.allmovie.com










http://
www.papermag.com/?section=article&parid=1351
When William Moseley found out that he'd landed the part of Peter Pevensie in the film adaptation of the book The Lion, the Witch and the Wardrobe, he cried, and this is just one of the many reasons we love him. After 18 months and countless auditions, Moseley beat out 3,000 other boys to play the role of the caring and courageous oldest brother, whom he first pictured in his mind's eye while listening to the Narnia books on tape when he was a child. Growing up in the English countryside in a 400-year-old home located in a town that's "a hundred years in the past," Moseley always had a wild imagination. By the age of 10 he knew he wanted to be in front of the camera. He landed a couple of small TV cameos, but they were nothing compared to the wide-release epic that launched him into worldwide heartthrob status, The Chronicles of Narnia. After whirlwind press tours around the globe and being propositioned by gaggles of gals (mothers and daughters alike), the 19-year-old has kept his head. He seems to be completely grounded and focused on what's important -- his education, family and friends. "I'm a regular boy," he says. "I go to school, play soccer, drink tea and read scripts." Well, he's sort of regular. Though he hasn't signed on any dotted lines for future projects just yet, he's been in talks for the upcoming Narnia sequel and has gone on several film auditions. But what was the best part of working on Narnia? "Ah, the fight scene! I can't think about riding into battle without getting excited." Yet another reason we love him.
Quinn Asteak

IMDB Biography for William Moseley


Date of Birth
27 April 1987, Sheepscombe, Gloucestershire, England, UK

Birth Name
William Peter Moseley

Nickname
Wizzle

Height
5' 11" (1.80 m)

Mini Biography

William Peter Moseley was born on April 27, 1987, in Gloucester, England, to Peter Moseley and Julie Fleming. He is the eldest of three children with a younger sister named Daisy and and younger brother named Ben. His father's name is also William's middle name.

Described by those who know him as a rather opinionated young man who knows his own mind, he wanted to be act since he was 10 years old. The young actor had a small role in Goodbye, Mr. Chips (2002) (TV) as Forrester, and he was cast as an extra in Cider with Rosie (1998) (TV). However, his big break came when he was cast in the part of Peter Pevensie in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005), picked out of thousands of boys for the role. He hopes he won't end up type-cast as Peter and to go on to carve a successful, well-rounded career in acting and directing in the future.

William completed Year 13 in 2006, with A Levels in Media Studies, English and Drama. In autumn 2006, he moved to New York for several weeks to study acting under Sheila Gray, where he trained at the famous Gleeson's gym in Brooklyn in preparation for filming The Chronicles of Narnia: Prince Caspian (2008).

IMDb Mini Biography By: Kasey Louise & Louise Rashman

Trivia

He is the eldest son of Peter Moseley, a cinematographer, and Julie Fleming.

He has a younger sister Daisy (b. 1989) and a younger brother Ben (b. 1992).

As a 7-year-old, he used to listen to the Chronicles of Narnia audio tapes. He read the books eight years later in preparation for his role as Peter Pevensie in the film adaptation The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).

He had to repeat Year 12 because he had taken so much time off school while filming The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).

Casting director Pippa Hall was responsible for casting William as an extra when she was filling roles for Cider with Rosie (1998) (TV) back in 1998. Seven years later, when casting for The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005), she remembered him and recommended him for the role of Peter.

From the first day of auditioning for the role of Peter Pevensie in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005), it took a further eighteen months before he officially won the role and was cast.

He attended Sheepscombe Primary School between September 1991 to July 1998.

He auditioned, unsuccessfully, for the role of Harry Potter.

Because of his major growth spurt, he had to have his armor modified weekly during the filming of The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).

Grew three inches during the filming of The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).


Personal Quotes

What I hope is that I don't just become 'Peter from The Lion, The Witch and The Wardrobe.' I want to try and do something else to be a good actor and a respected actor.

We just enjoy everything so much. We just tried to relish each moment that we have together as a family and as individuals. The experience we've been given is, without question, the greatest experience of our life. It's just appreciating those things.

I don't think it can sink in. I don't think it really struck me when I first got the part what it was like. I'm fortunate, I'm lucky that it hasn't hit me yet. The weird thing is when you see yourself, as you're driving by, on a poster or you see yourself on a washing up box or something - it's so bizarre. It's just momentary, it's only within those brief few seconds when you see it then you move on with your day. I have a very good family, very good friends and I'm lucky that everyone has been so supportive and kind to me.

I can only hope there'll be a sequel made just because I had such an amazing time on this one. It was beyond every experience imaginable, it was basically a dream come true. For that dream to come true a second time would be quite amazing. Unfortunately I don't have the say.

"As corny as it sounds, I think that's the reason we were cast for these parts: we're so much like them." - on his co-stars and himself being cast in the Chronicles of Narnia

That's a good question. Actually no. Surprising enough we kept a boundary. There is a fine line as you've probably seen and we didn't overstep that mark. Yes, we're still very good platonic friends. We'll leave it at that. - When asked about his relationship with Anna Popplewell.

To put it simply, when Peter steps through the wardrobe, he's a boy. When Peter steps back out of the wardrobe, as the story finishes, he's a man. And, for me, I think I also became a man throughout the making of this film. Like Peter, I'm the oldest in my family. Like Peter, I strive a lot of the time for what's right, what's just. I think that's the reason each of the kids was cast for these parts - we're so like the characters we play. (Narnia production notes)

IGN Interviews William Moseley and Anna Popplewell

IGN Interviews William Moseley and Anna Popplewell
An exclusive interview with two of Narnia's young stars.

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August 26, 2005 - As December 9th approaches and the release of Disney's Chronicles of Narnia: The Lion, the Witch and the Wardrobe nears, countless C.S. Lewis fans across the globe wait with bated breath in the hopes that it can live up to the classic story that has lived in our imagination for so many years. The project has been an enormous undertaking.

IGN FilmForce was on set during a portion of the shoot in New Zealand, touring the breathtaking and endlessly expansive sets and witnessing movie magic in the making. The film wrapped in late 2004, but the extensive effects work is likely being completed just in time to make the December release date.

Today on FilmForce we have an extra special treat for all the Narnia faithful out there. Up until now, Disney has remained very protective of the young cast, many of whom have had very little acting experience. IGN FilmForce recently got the unique opportunity to speak exclusively with William Moseley and Anna Popplewell, who portray Peter and Susan in the film, respectively.





IGN FILMFORCE: First off, could you both give me a little background on how you got involved with Narnia?

ANNA POPPLEWELL: I was first seen for it maybe 18 months or two years before they finally cast it, so it was a very long casting process. And I just went for a normal audition and then went back and then went again and again and again. Eventually, actually I think the first time I met Andrew, was when I also read with William, who plays Peter, so we went way back. But at the end, we screen tested and eventually got there.

WILLIAM MOSELEY: Where I live is about an hour and a half West of London. I live in the countryside… It's a classic little village and it's idyllic in a lot of ways. Basically, I was at this school and I was at a primary school, which is basically elementary. I was there from four to ten and when I was ten years old this casting girl came to cast Billy Elliot. She came looking around the school. She was looking for like a village child to play the part in this period drama for BBC. And I [fit] the bill, you know? I was loud, very loud – I just enjoyed life… knobbly kneed and read faced, [I was] basically like a country child. My mom used to call us free range kids, like free range chickens… We roamed the countryside. So I went to auditions and just loved doing all the improvisations and it was great fun. I couldn't have the part because I was too young for the older role and too old for the younger role, the main role… Anyway, [they] said to me, 'Well, I'll get you an agent' and she gets me a tiny agency in Swinton, and Swinton's about 45 minutes away. It's a small town. I was with this agency for about five years. I was always up for parts and I always got down to the final two, like so many, so many, so many times. And unfortunately, [the agent] came around for this film The Lion, the Witch and the Wardrobe and my agent doesn't put me up because she's fearful that I'm going to suicide bomb the place if I got rejected from one more thing. So, as it goes, [The agent] remembered me, she remembered who I was… That was really flattering. I went up and auditioned and 18 months of auditioning before getting the part…

- Walt Disney Pictures

From left, Popplewell, Mosley and younh Georgie Henley
IGNFF: What was it like meeting director Andrew Adamson for the first time?

MOSELEY: I thought he was a bit like Garth from Wayne's World, he looks like [that]… I liked him, I just liked the way he sort of sat back and let the kids run wild. What was nice was he got involved as well. There was a kid that was kind of annoying and Andrew was, within one minute, just on top of this kid and [he] quieted him down. This kid had gone to drama school and thought of himself rather highly and Andrew managed to withdraw him.

IGNFF: For Adamson, this film is a pretty big switch from working on animated films. There has been some concern and question as to how he would work out with actual humans versus CG green ogres.

POPPLEWELL: Well, I think everyone was kind of surprised at the idea of Andrew on The Lion, the Witch and the Wardrobe because he had a background in animation. The thing is, Andrew's so wonderful with people… He's not only a genius, he's such a nice man. He really knew how to relate to all of us as individuals. It wasn't "the kids," he communicated to all of us in different ways appropriately. He's just a brilliant director really.

MOSELEY: You know, it was a challenge for everyone. Mark Johnson, the producer, had done Rain Man, you know, and Mark said this was the biggest film he'd ever worked on. Everyone had a challenge, everyone was working for the passion. I just felt like Andrew had so much dedication to making the film work… So much want and love for it… It just sort of worked out.
http://movies.ign.com/articles/645/645737p1.html

IGNFF: What was your familiarity with the books beforehand?

POPPLEWELL: I had read the books when I was about seven and then re-read them during the casting process. And [I] really, really loved them. Yeah, I grew up on them.

MOSELEY: I didn't read them because I wasn't much of a child reader to be honest. I was more sort of an outdoor kid. I always knew the stories. I used to listen to them on story tapes and just enjoy lying in bed and listening to someone telling me the story. The unfortunate thing about that was that I only ever knew about 25 minutes of it. I knew about 20 minutes by heart but the rest was a bit of bafflement… When I read the books I was about 15, I read The Lion, the Witch and the Wardrobe. I loved it. It was a weird thing for a 15 year old to be liking a child story. It's just one of those stories that can be read or understood and related to by anyone, by any age or any time, by any one.

IGNFF: How familiar did you have to be with the book when you came into cast? Did they give you certain scenes?

POPPLEWELL: I read some pages when I went for casting, but it wasn't the kind of 'You must know about the book or else' kind of thing. But I'm sure it helped knowing about the characters and knowing those kinds of things?

IGNFF: What was your reaction the first time you saw all the sets?

POPPLEWELL: When I first saw the sets, I was blown away by them. Roger Ford, who's our set designer, is really amazing. Yeah, it's a really nice opportunity to get to work on such expansive and detailed sets. It's always amazing to me how these things are lit so that they look just exactly like they are supposed to.

MOSELEY: A lot of it was like, who are these people? I mean, there's so many of them! I learned someone's name after seven and a half months and this guy had been working every day on the film… It's just so scary that it's such a big film that everyone's doing something… The call sheet is four pages long.

- Walt Disney Pictures

William Moseley
IGNFF: How did the sets compare to what you pictured in your head reading the books?

POPPLEWELL: Well, some of them were almost exactly as I pictured. Some of them were slightly different and better than I could have imagined. It just varied. I think the nice thing about the books is there is a lot of room for interpretation. I know when I read them and come away with a specific idea that this detail must be in place, this detail must be in place, and the sets just kind of consolidated it all together for me.

MOSELEY: It's interesting from Andrew's point of view with the books and everything… They aren't trying to make a religious film, they aren't trying to make a film with an opinion. All it is is a film from an imagination. It's from Andrew's imagination, it's from his innocence as a child. When you're a child, you don't see the religious aspects. You're trying to preserve that innocence. That's what the books are partially about, is innocence and honestly and truth. I think that's what Andrew tried to do and you can interpret it as a religious story, but I just feel like it was from Andrew's imagination and he could create that world… Fortunately, there was enough money to create the imagination because sometimes I would go on set and think, 'This is beyond my imagination. This is beyond what I expected…' The imagination can be a very expensive thing.

IGNFF: Anna, of the children in the cast, you seem to have the most acting experience. Did you give advice to the other kids or help since it was the first major acting work for some of them?

POPPLEWELL: They hadn't done as many bits and pieces, but they certainly didn't need my advice. The nice thing about a film set is that you're learning all the time from everyone and I certainly felt I learned just as much as they did.
http://movies.ign.com/articles/645/645737p2.html

IGNFF: William, did you look to any of the other actors for tips?

MOSELEY: Totally. What I found with Tilda [Swinton and], James [McAvoy also] told me – I learned two tips from both of them – Tilda would always say to me, you know, it shouldn't be difficult, acting shouldn't be difficult. You should just be enjoying it… It's best to go with it and just be there and just let yourself go. You don't have to really even try hard at all, that's what she said to me. It's something that she had found out herself over the years. And then James McAvoy also said to me, which is really interesting, because I had a problem in one of the scenes. It's funny, because I can ride a horse bareback, galloping across the park, I can sword fight for hours, I can run across the frozen lake. But I had to smile, and it was so weird, smiling on screen. I hate smiling in photos, so I never smile. I find it posing, like I'm not really being spontaneous, I'm just posing… James said to me, 'If you take up the posture in your face, your mind follows,' and then he trained himself to do that. He was telling me that he couldn't smile on camera or he couldn't laugh or cry. He had to train himself to do. And so, they were both very interesting people. Even the mother, Mrs. Macready, I learned some things from, like the way she would just come pumped up… Really bringing out something and just shaking everything up, just going for it. That was a really interesting aspect as well. I found, for me, I have to go back and think, like, what happens to me before, what are my feelings now. With all these people trying to help me, I felt I really progressed as an actor.

IGNFF: Was it a pretty fun atmosphere on set?

POPPLEWELL: It was a really fun atmosphere. It wasn't like working, it was like being at summer camp.

IGNFF: Anna, did you have many scenes with Tilda Swinton?

POPPLEWELL: I had one. I only had one scene with Tilda.

IGNFF: She looks pretty intense in the movie.

POPPLEWELL: Yeah. Well, she's such a lovely person, and then in this scene, when she's all costumed and everything, I was frankly quite scared of her, which is how it should be. You can't believe that this warm, lovely person manages to pull off such a cold character. All of her looks are great. The makeup and costume work on her was really original and intense. She goes through a series of different looks.

IGNFF: And how about James McAvoy? He was a surprising choice to some.

POPPLEWELL: I think some people were surprised because they thought he was a little young, but seeing him in his gear and working with him on set, I can't think of anyone who would have been a better choice. He's, again, such a nice person and I think really, in a complimentary way, pulls off the goat thing fantastically. (Laughs) I think he's a really good choice.

IGNFF: What scene was the most difficult to shoot? I saw a pre-vis of the battle sequence which looked pretty amazing.

POPPLEWELL: That was a pretty intense scene. I think [what was] also intense was that we were working outside as opposed to in the studio, which meant we had to fight with the weather and that kind of thing. Maybe more intense for William and Skander, who were doing a lot of riding and fighting. For me, probably the funnest scene to film was when we arrived at the Beaver's Lodge because, after all of the kind of running away and frightened acting and rushing around that we'd been doing, it was one of the few scenes in which Andrew tried to make us laugh, which was really fun… I really enjoyed making [that scene] just because it was really fun. I guess for me, the most intense scene was the death of Aslan because it was sort of really high emotions for the two days we shot it. That was just really draining, but very satisfying when we finished it.

IGNFF: How difficult was it to work opposite a CG character like Aslan?

MOSELEY: In my imagination, I created Aslan, I created the Beavers, I created the Wolves… They were there for me. Seeing Aslan on screen, actually you know, one of the weirdest things happened. These CG guys are kind of funny. One of them came up to me like, 'Have a look at this?' It was a lion walking down the street with these two fellows and I was like, 'Oh my God, how did you get the lion to do that?' He's so happy with himself, he's like smiling. 'That's no lion, that's a CG lion. And you know what the best thing is? It's only 50 percent of the way there…' But these guys, they are amazing. The way they create these animals. I honestly believed it was a real lion they got from the zoo and got to walk down the street…

POPPLEWELL: It was interesting. We tried lots of different methods. We had people reading in with our lines or we had ping pong balls on sticks for markers. There was a variety of things. At first, it was quite strange acting off nothing, but it got easier and it was a fun new experience… I haven't seen the finished – I mean I've seen the trailer, but I haven't seen the finished footage with Aslan. I've seen a couple of tests bits and pieces with him in it and it looks amazing. You would never know that it weren't a real lion.

- Walt Disney Pictures

Aslan in full glory
IGNFF: Has there been any discussion yet on when you might return for another?

POPPLEWELL: I don't know what's happening about sequels at the moment. I think it depends on this movie. I think the studio will see what happens with that before they make a decision on any sequels.

IGNFF: Would you be interested in returning for another?

POPPLEWELL: Yeah, I mean of course it all depends, but I'm very fond of these.
http://movies.ign.com/articles/645/645737p3.html

Exclusive: Narnia's William Moseley

Exclusive: Narnia's William Moseley
Source: Edward Douglas
August 29, 2005


For his upcoming adaptation of C.S. Lewis' The Chronicles of Narnia: The Lion, The Witch and The Wardrobe, Shrek director Andrew Adamson's first challenge was to find four young actors who could play the Pevensie kids from the classic children's story. It was important to find four unknowns who could carry the film and take on all the challenges of such a huge production.

For Peter, the eldest of the Pevensie clan, Adamson chose William Moseley, a British actor who had only appeared in a few small projects, but suddenly found himself in New Zealand, taking part in huge battle sequences often involving creatures that would be added later using computer effects.

In this exclusive interview with ComingSoon.net, Moseley told us how he got the job and how it was an experience that changed his life.

CS!: How did you find out about this movie or how did Andrew find you?
William Moseley: Well, basically what happened was I had a casting director who knew me from a period drama. She liked me and remembered me from this agency. If you'd like, I can tell you the story. What happened was I was at this tiny little primary school when I was ten years old. There, we studied the three core subjects and it was relaxed and easy and everyone knew everyone else. One day, this casting director comes to town looking for a knobbly-kneed red-faced village child. I sort of fitted the bill. I was not self-conscious; I was a total show-off. I just loved all the attention and I loved doing these improvisations and just being in the moment. It was for this period drama on BBC that I couldn't do because I was too young for the older role and too old for the younger role.

CS!: Were you doing theatre at the school at that time?
Moseley: No, I wasn't. This tiny primary school didn't even do theatre, so I was like totally natural. I was that five-year-old kid you see in those films where you go "Oh my God. How did that kid act so well?" You're not self-conscious at all. You're just instinctual and just living off your moment. And so, I wanted to carry on acting. Of course, I wanted to keep showing off. And Pippa Hall, who cast "Billy Elliot", gave me this tiny little agency almost in the middle of nowhere. I don't know if you've ever read the book "The Curious Incident of the Dog in the Night Time". That's in Swinden where this agency was.

CS!: Oh, wait a sec. Are you from England or from New Zealand?
Moseley: I'm from England, about an hour and a half West of London. It's Gloucestershire of Henry the 5th [fame], that kind of area. And it's just beautiful and still untouched. And then through this agency, I was always down to the last two. It was just so annoying. I must have gone out for eight things and got down to the final two for all of them. One day, Pippa comes again and she's casting for "The Lion, The Witch and The Wardrobe" like five years later, and my agent doesn't send me up, because she doesn't want me to get down to the final two or doesn't want me to audition, because she thinks I might kill Pippa if I didn't get the part. But anyway, she remembered my little red face and shouting kid, so I go up to audition, and I meet Andrew, the director. It was funny, because I met Anna, who plays Susan, in the first audition I ever had. Through 18 months auditioning, I finally got the part.

CS!: Were you familiar with C.S. Lewis' books before you heard about this part?
Moseley: I think I knew the story. I used to read like fantasy stories, but "The Lion, The Witch and The Wardrobe" I listened to on story tape every night. I would listen to the first ten or fifteen minutes and I'd know it by heart, and then I would just fall asleep, so I wouldn't know the rest of the book. It was so weird. I would know the first ten or fifteen minutes perfectly, but the rest of it would kind of be oblivious. I remember reading the books when I was auditioning, and you know, I loved it. It's funny, because for a 17 year old to actually enjoy what's essentially a children's story was kind of laugh. Maybe it was because my reading ability is of a child. (laughs) I remember when I read the script to my parents and I used to get to the battle bit. Because in the book, it's like "Peter fights in the battle" but whereas in the script, it's like "Peter gallops furiously into battle." And I would smile when I read that, just like I'm smiling now.

CS!: For how long were you in New Zealand and how was it shooting down there?
Moseley: Well, it was amazing. I mean, we shot seven months in New Zealand and then we shot for two weeks in Prague. It was a life-changing experience. New Zealand is an amazing setting for such an amazing film. I feel like a big city like Los Angeles or London or New York just wouldn't have been right for such a film like that. It almost needs to be in its element. It's a free story about free things, and it needs to be in a free place, and I'm so glad we shot it in New Zealand. I think it was just right.

CS!: How was it to act opposite all sorts of creatures that weren't really there?
Moseley: That's a good question, because when I first got there, I found it kind of weird, because you have this guy just holding a pole with a piece tape or something on it, and you have to be scared or empowered or frustrated by it. What we all did as almost child actors was we used our imaginations and we created the perfect Aslan or the perfect Beavers or the perfect wolves, which were scary. We saw them in our minds and it was almost better that way, because they were perfect to us and unique to our imagination. I remember watching "The Lord of the Rings" one day and I could see that the guy was looking at an "X" on the matte box of the camera. That was his sightline and that was supposed to be Gollum. I remember thinking that his eyes weren't moving. When you talk to someone, your eyes and your face are constantly moving. Your eyes aren't locked, so that was something that Andrew helped with. He could become the eyeline of that character, because he knew everything about it, as far as the dimensions.

CS!: What were your favorite scenes to shoot? All the war stuff?
Moseley: Yeah, that is an easy question, because that was amazing. I couldn't have enjoyed that any more than I did. Like I said, I rode on this perfectly trained white Spanish Andalusian horse, bareback with a full suit of armor, sword and a shield across a battlefield, galloping towards snow-capped New Zealand mountains. I mean, that was the greatest experience of my life.

CS!: Were you the one who had problems with armor constantly having to be refitted?
Moseley: No, actually that was Skandar [Keynes], who played Edmond. He grew six and a half inches. I think I grew a bit, so they had to do me now and again, but he grew weekly.

CS!: Peter also appears in the second Narnia book, so do you know if you're already signed to do another movie?
Moseley: Well, the script isn't totally done yet, and they're still working on it, but I'm very happy and willing and looking forward to doing the next one.

CS!: A lot of people are familiar with the books, but those who aren't, see the trailer and compared it to "Harry Potter" and "The Lord of the Rings." Everyone in those movies have become huge stars, so are you prepared for that sort of fame yet?
Moseley: What I hope is that I don't just become "Peter from The Lion, The Witch and The Wardrobe." I want to try and do something else to be a good actor and a respected actor. I'm not saying that they're not good actors, but essentially, someone might call him "the Harry Potter kid", they don't say Daniel Radcliffe, his actual name. That's what I'd like to break out of. It's kind of fortunate, in a way, that I'm in this film and the next one, and then I'll be perhaps 19 when the next one's done. That will be a good foundation to step forward.

CS!: Have you had any time in between to look for other things?
Moseley: Recently, I had some agents from UCA come to my country house in England. They drove all the way there, and it was amazing. I've just been setting some foundations up for myself in Los Angeles, and they've been planning things out for me, so I'm just sort of keeping an open mind. I'm just reading scripts and if I like them, I like them.

The Chronicles of Narnia: The Lion, The Witch and The Wardrobe opens everywhere on December 9. The film's official website has also been updated with a new map of Narnia located at the bottom of the screen. You can currently explore the Lamp-post and Tumnus' Home. Be sure to look around for clips and other features.
http://www.comingsoon.net/news/topnews.php?id=10985

INTERVIEW: Anna Popplewell & William Moseley on "The Chronicles of Narnia"

INTERVIEW: Anna Popplewell & William Moseley on "The Chronicles of Narnia"
POSTED ON 12/09/05 AT 1:00 P.M.
BY ETHAN AAMES

By Jenny Halper in New York City

After eighteen months of nerve-wracking auditions, William Moseley and Anna Popplewell left the comfortable world of British home life for the New Zealand sets and overwhelming expectations of Andrew Adamson’s “The Lion, the Witch, and the Wardrobe.” Now the teenaged actors, who play Peter and Susan Pevensie, have been branded into happy meal action figures and scanned into Narnia video games.

Exuberant and eloquent, William and Anna impressed me when I spoke to them on the phone ever the summer. Meeting them in person, I got the feeling I was talking to two potential big screen heavyweights. A pre-collegiate Colin Firth and young Rachel Weisz? You never know.

Q: Did you grow up reading the Narnia books?

ANNA: Yeah. I read the books when I was about seven, and reread them when I was 14, during the casting process.

WILLIAM: I used to listen to the stories when I was about seven years old. I always loved them. I used to listen to the story tape. Then when I was 15 I was auditioning for the part and I wasn’t sure if the stories would still relate to me, because I was a little bit cool. I’m a teenager! Then I read the stories and I still loved them. The issues still relate to me, if not even more so. I loved them and they confirmed my thoughts of being in the film.

Q: What was the audition process like for you?

WILLIAM: It was very, very long. It was 18 months long. Actually Anna and I met each other at one of the first auditions. Then we went through and met Georgie (Henley) and Skandar (Keynes). It was a lot of hard work. They auditioned something like 2500 kids.

ANNA: When you go in for an audition you put yourself up for rejection. You accept that you might be too tall, too short, not good enough. I think at first you try to not too emotionally involved, but when you get to the end of an 18 month process it’s very nerve-wracking.

Q: Did you guys get a lot of weapons training?

ANNA: I got to do some archery, which is fun.

WILLIAM: I had a stunt trainer who would teach me kick boxing, and then I would learn the choreographed moves in sword practice. He would say to use the sword as an extension of your arm. I would learn the special awareness between two stunt people. I also learned horse riding; I learned stunt riding for seven and a half months. I got to a stage where I could gallop this white horse bareback in full armor, with a sword and shield.

Q: You didn’t have a stunt double to do that stuff?

WILLIAM: I did, but they spent most of the say sitting around, because I really wanted to do that stuff myself. I didn’t want someone to do my stunts, they’re my stunts, and I wanted to do them. I said to Mark Johnson, the producer, “Mark, please, just one more stunt.” “OK, this is the last one!”

ANNA: I think Mark adapted the phrase, ‘You can do it, but you can’t fall off.’

Q: What was the most surprising thing about making this film?

ANNA: The most surprising thing to me was the scale of the movie. I loved the books and of course read the script, but when I got to New Zealand I was surprised by the size of the sets and the number of the crew. I had never been on such a big production. I’m continuing to be surprised by the amount of press it’s receiving, the amount of attention.

Q: You were acting against a lot of creatures and landscapes that were added later. What was that like?

WILLIAM: I think it was really down to what our Aslan looks like. What our Beaver looks like, what our werewolf looks like. We had read the stories so we already had an image in our minds of what it looked like to us. So we would take that picture, take that image and put it out there. That, I suppose, is what’s interesting about seeing the final version – we’re seeing Andrew’s vision, Andrew’s imagination, Andrew’s personal lion, werewolf and beaver. I don’t think it was ever a problem, I think it was a bonus.

Q: What was harder- imagining what was around you or what animal you were talking to?

ANNA: I think what was around us because imagining something in front of you, it’s just one interaction. Whereas the backgrounds are more subtle. For instance when we were shooting most of the snow scenes we were indoors, in heavy coats and lots of layers, and it was sometimes difficult to remember to be cold.

WILLIAM: The backgrounds were – the sets, I mean, were amazing. The detail that went into each set was probably as much to bring us into a scene as it was to bring the audience into the scene. There were tiny little details you would never see as an audience, you know, miniscule things inside Mrs. Beaver’s hut. Little things for her children.

ANNA: Knitting needles.

WILLIAM: Little sleds for them to go out on. It was absolutely amazing. How could we not feel like we were in Narnia on these snow sets and these water sets?

Q: How difficult was it to leave that when shooting was all over?

ANNA: It was quite weird. It was like coming out of the wardrobe, I suppose. We were part of this amazing adventure and had to come back to reality. I was nervous about coming back from New Zealand and going to regular school. I hadn’t been to school with my teenage friends in six months. But actually it went swimmingly and was made easy for me.

WILLIAM: For me, because it was about my progression to adulthood I suppose, the weekends I would hang out with the adults. Some of the assistant directors were 20 or something, and I would spend time with them. It was bizarre because I was at this stage of independence and my friends were all at school. Now having to go back to school and having to repeat a year, because I’ve almost taken a gap year through this whole process, I find that very, very bizarre. I’ve already had that feel, that understanding of living by myself and knowing how hard it can be without mum doing all the washing.

Q: Where do you go from here?

WILLIAM: I really want to finish school – who doesn’t finish high school? I really want to finish high school and then I would love to get into the world and learn as much as I can. I’m the kind of person who learns from doing things; if I’m out there experiencing things I’m much better.

Q: Peter is sort of the dad of the group. Sometimes he can seem a little stiff. How do you approach him?

WILLIAM: I suppose I’m very similar. I’m the eldest of my family, and my family would remind me of how bossy I am.

ANNA: Leadership skills!

WILLIAM: I thought of myself in that role. I thought about his moral dilemmas and the choices he has to make, and how difficult that is for him. So I sort of felt that I was going on the same journey as Peter; I was stepping on a set for the first time, I was slightly insecure about my actions, I was not so full with everything I was doing. But my confidence grew, and as we went through Narnia and everything developed.

Q: Susan is very sensible. Anna, are you like that?

ANNA: I think it’s interesting. Susan is the least developed of the four characters in the book. When people asked me who I was going off to New Zealand to play and I said Susan, they said, “Oh yeah, the boring one.” I thought it was OK that she was boring but I wanted people to understand why she was that way. It was important for me to build on CS Lewis’ writing, which Ann (Peacock, the screenwriter) really did, and to make people understand why she felt to skeptical about Narnia. Being forced into a maternal role while being evacuated- and yet Peter is the one with the authority. She feels frustrated because while she feels responsible she can’t really make the decisions. She can’t call the shots. She has to grow up rather quickly, and the lesson she learns from Narnia is that it’s OK to be a child. It’s OK to be a kid.

Q: You have toys and video games featuring you now. That must be strange.

ANNA: My brother bought the video game and walked me into the lamppost about eight times. I think it’s very weird to see your face on stuff in public places. I was confronted by a cereal box the other day, which took me by surprise. Most of it’s going straight over my head.

WILLIAM: As long as one child isn’t above everybody else. It’s four children stepping forward as a family. We experienced Narnia and New Zealand together for the first time, and we’re experiencing all this publicity together for the first time. If anyone does step on the platform we’re very brutally honest in bringing them back down to Earth.

Skandar reminds me that I have a picture in a magazine and that I look very ugly! We’re very quick to bring each other down. And our siblings are brutally honest with us.

Q: You react very realistically to the wolves jumping out at you. What were you really reacting to?

ANNA: I was amazed when I finally saw the film because but I was worried about us looking real next to these animated characters. But it was really just Andrew’s direction, telling us what was in the scene or coming down on the floor and prowling around like a wolf. He really did everything to make it real and help us.

Q: Were they all CGI wolves or were there real wolves?

ANNA: There were some real wolves on set. Actually, one of the shots, where we’re running away from Father Christmas, when we think he’s the White Witch, there were these real wolves around the set. They weren’t allowed on the set when we were filming. Andrew told me he let one into the studio, so I was running really fast. I thought he was joking, but a little bit of me believed him.

Q: You seem to have taken this experience- filming in the movie and handling publicity- in stride. What, if anything, has prepared you for this experience?

WILLIAM: You can’t really cope with it. You can’t sit down and say you’re going to cope with it all. You end up giving miserable interviews and not being yourself. You take every minute as it comes. It’s the only way to do it. Each question you take as just that question. You can’t look at the overview, you can’t look down. It’s funny, once you get to the top you can smile and sit back and laugh.

ANNA: I think that taking on the responsibility of these roles, moving to New Zealand for six months and now doing this, I think it’s a big deal. I was very apprehensive at first about taking it on. It’s really the support I’ve had from my family. My family is great. My younger brother and sister also act but my parents aren’t in any way pushy about it. My mother is a doctor and my dad is a lawyer and they think we’re mad. But they’ve been so supportive and really wonderful. Also my school – I’m at an all girls school and it could have been very catty and difficult for me, but it hasn’t been. They’ve been wonderful and I’m really grateful.

Q: What did you think of the actors they hired to play you as grown ups at the end of the film?

ANNA: That was the weirdest thing, knowing they were going to cast those people. I actually walked into Sophie (Winkleman) in London and she said, “I’m sorry, are you Susan?” I was so freaked out because she spoke like me. I think she went to an all girls London school as well, and it was a very similar setting. It was very weird. (But) I thought they looked really great. Rachel Henley plays the older Lucy, and she’s Georgie’s older sister, which I think was great.

WILLIAM: I actually met Noah (Huntley) at a wig fitting because he was getting his hair like me. It was totally bizarre. But then we actually met up for tea and I really, really found him interesting. Whether that’s because I find myself interesting… but he gave me some really great advice, some of the best advice I got throughout the film. He was really nice and really pleasant and it was nice to have that support. It was totally bizarre, but you have to take it like it comes.

Q: Anna, I heard you had a problem with some mice on set.

ANNA: Luckily we all had doubles on the film. Andrew asked me what I was most afraid of, and I said “mice.” I’m absolutely petrified of them. He thought that was funny because I had to do a scene with mice at the Stone Table. Silly me, I thought these mice would be computer generated. We have a lot of animals in the film, and apart from the wolves they pretty much are all computer generated. But Andrew said, ‘Nope, these mice will be real.’ I don’t think I believed him until the day of shooting when he held a real mouse up to me and I screamed. I chickened out, and none of the shots with the mice have my face in them since it’s a double.

Q: William, was there anything on set that scared you?

WILLIAM: Anna!

ANNA: Actually all the scenes with me where you don’t see his face, that’s a double, too!

Original content & articles © 1997-2008 by Cinema Con
http://www.cinecon.com/news.php?id=0512091


Didn't get enough from these interviews?
Here's my personal take on the Narnia 2: Prince Caspian movie:

WHY NARNIA 2: PRINCE CASPIAN IS SO DELICIOUS!

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The Many Versions of Love Stories 1. Boy meets girl, they fall in love, kiss and marry. They live happily ever after. 2. Boy meets girl, they fall in love, kiss and marry. The marriage sours, they part, and live happily ever after. 3. Boy meets girl, they fall in love, kiss and marry. Then boy finds out it's more fun to be girl... or girl finds out it's more fun to be boy, they part, change sexes and live happily ever after. 4.Finally, boy or girl meets God. It's love at first sight... The roads went rough, the tides rose high, the strong winds blew and the quake shook the ground... but they truly live happily ever after, forever and ever. 5. Try God's love... it's always happy forever after, and the story never ends. :-D